這部戲經(jīng)歷了陳年16年暑假和沖哥在宿舍里看B站盜攝那時(shí)我剛從紐約回來(lái)美國(guó)還乘著奧巴馬時(shí)代最后一朵理想主義的浪花文化多元的未來(lái)在每張臉上每段旋律和編舞中第一幕如此振奮人心“敬自由“為革命半年后看到卡司通過(guò)表演向彭斯喊話的新聞那瞬間感到的依舊是音樂(lè)劇的魔力許晴只有一個(gè)是一絲燈塔主義的好感和一種對(duì)普世的流行的“愛國(guó)主義教育的向往今天在剛剛半年有余的迪士尼+上它是一段同樣來(lái)自16年夏天的錄影一個(gè)回不去的時(shí)刻(美國(guó))和許許多多特寫我回到紐約被尾聲重新打動(dòng)看著看著滿懷了太過(guò)年輕又百年蒼老的nostalgia:舞臺(tái)藝術(shù)屬于前疫情希望和野心屬于前特朗普唯問(wèn)句屬于此刻:那歷史層層疊疊的回音:Who lives? Who dies? Who tells your story?
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Gosh that's such a flop an ending. Why did they have to drag it on so long? The immature trickeries of planting plot devices here and there, manufacturing drama, and dropping carefully crafted characters and storylines to favor the mystical (and the men in the story). What a letdown.